St George opened a new pier today to facilitate more river usage in the city.
Boris Johnson made a fantastic speech (off the cuff) and I took these shots. Phil Conrad - Photographer
I am a London/Devon based photographer with 20 years professional experience. I often find myself drawn to contrasts between urban and country landscapes. My interests concerning expanding the technical boundaries of the medium are lensless pinhole, high resolution digital, panoramic, equirectangular, analogue to digital, DIY camera and fish eye photography.
Saturday, 17 September 2011
Monday, 12 September 2011
City Night Panoramas A short History
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Battersea reach shot on Hasselblad H3d2 with Manfrotto Panoramic Head 8 secs |
These images have always been a wonderful experience for me.
Originally inspired by an image idea I had many years ago.
I had been
commissioned by BT to shoot Woolwich earth station in London.
The brief from the picture editor was ‘Get something powerful and inspired. We have
The brief from the picture editor was ‘Get something powerful and inspired. We have
to have an image
by tomorrow!’ As I arrived the
rain started pouring, I was young and inexperienced and knew I was being
tested. I got on the
phone and rented 4 powerful hot lights. My boss had said I was allowed to
spend up to £50.00 to get myself
out of the s..t.!
As the light failed and the rain increased I watched as my lights took short but beautiful control of the scene. Just then I realized this was my magic time, as the light failed.
22 years ago!
Woolwich
earth station in December 1987.
Hasselblad
40mm lens 8 secs at f11 kodak
64T
The last 25 years I have shot many images
at this time, as just for a few
moments, the ever changing city stands still and can be admired in its true
beauty with all its make up on!
Here 10 years later was my first London Day
to Night image. Shot originally as an advert, This
image has since sold as editions in various exhibitions I have had.
London
Day to night image shot in January 1997
Seitz Roundshot camera 70mm film various exposures.
Image manipulated on Quantel Paintbox
London
Day to night 2 captured on Fuji film and Digital Hasselblad.
Manipulation on Mac computer with Photoshop.
10 years later again is my second shot from this location. With the Gherkin in ,
and me growing up I realized things are
constantly changing in this city. This
viewpoint it likely to be demolished in the
future, but the view from the shard
should be quite incredible! I will have to
carry on the series from there.
This Series eventually led to a commission by Knight Frank to
photograph 10
Major
cities using my night panoramic techniques.
Melbourne using Canon equipment and Manfrotto panoramic head
Madrid using Canon equipment and Manfrotto panoramic head
Moscow using Canon equipment and Manfrotto panoramic head
London using Hasselblad digital equipment and Manfrotto panoramic head
Shanghai using Canon equipment and Manfrotto panoramic head
Since then these images have been used by
many clients producing marketing
Material for Creative adverts in the property sector.
This panorama is part of a range of views shot for St George to show the ever
changing skyline of London.
Saturday, 10 September 2011
Moonrise images at the Opus Gallery Covent Garden
Here is a link to my Moon Rise exhibition, at the Opus gallery Covent Garden. These images were
shot over 12 months. 1 image a month, a logistical nightmare as the weather had to be clear at the
location as the full moon rose.
An amazing experience and truly moving to watch the moon silently rise in some great places.
Friday, 9 September 2011
Portraits of Actors and Performers
Here is a selection of Portraits of various Actors and Performers. These images are designed to
delve a little deeper into the character. I like to shoot both on location and in the studio to try and connect with my subject. I shoot very quickly and try not to stop moving. I think this makes people
feel engaged in our time together and to not consider themselves or how they may look so much.
delve a little deeper into the character. I like to shoot both on location and in the studio to try and connect with my subject. I shoot very quickly and try not to stop moving. I think this makes people
feel engaged in our time together and to not consider themselves or how they may look so much.
SlideShowPro Director » Galleries
People in Business
I have recently been working on some portrait images for one of my clients in Silver Worldwide in Cheltenham.
Here is the connective style of imagery we chose. Here I am trying to be really sparing with my
lighting to really echo the surroundings and not make the common mistake of overlighting.
Location:
Cheltenham, Gloucestershire, UK
Monday, 31 January 2011
Result of Whale skull images
Here are the first 2 images. I wanted to create a sence of depth so I stuck to the Hasselblad with
my beautiful macro 120 lens. No photoshop!!
Saturday, 29 January 2011
Whale Skull Photography
Here is Wednesdays shoot for Soane Antiques. Not only do they have Mammoths teeth but also this
Whales skull. An amazing internal
structure somewhat like a fine honeycomb,or even a very enlarged
section of the inside of a tree.
These sort of shoots are always challenging, with many different
objects to photograph. Many of which
are either timeless in their beauty
and craftsmanship, or extremely
fragile. Working on location is always
interesting, as light is constantly changing.
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